Culture

16 of the best wedding dresses from the movies

Whether you’re engaged, married or just matrimony-curious, looking at bridal outfits soothes the soul (we have no real data, but a lot of anecdotal evidence to support this theory). So, which outfits made the list? GEORGIA SIMMONDS shares the rundown

Lifestyle

FUNNY FACE, 1957

The beautiful Givenchy gown that Audrey Hepburn wears in the latter part of this film cuts a striking ballerina silhouette – perfect for the former classical dancer. Hepburn’s character Jo Stockton makes a tearful getaway in the dress after walking a runway show, thinking she’s missed an opportunity with her love interest Dick (Fred Astaire). When they reunite, Jo is still wearing the exceptionally beautiful bridal gown, which makes for a picture-perfect romantic moment.

Audrey Hepburn in Funny Face, 1957
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Sonoya Mizuno in Crazy Rich Asians
Sanja Bucko/Warner Bros/Kobal/Shutterstock; Ron Harvey/Courtesy Everett Collection/Alamy Stock Photo

CRAZY RICH ASIANS, 2018

It’s only natural that this note-perfect romantic comedy set in the glitzy millionaire’s playground of Singapore should have the most elaborate wedding scene ever. When stunning bride Araminta Lee (played by Sonoya Mizuno) walks towards her groom in her opulently embroidered dress, the lights dim and the aisle floods to create a shallow pool on which petals float. The skirt is a rippling cascade of tulle and satin, while the shimmering gold bodice is so form-fitting it looks as if it’s been sprayed on. If the gown alone doesn’t make you shed some happy tears, the acoustic rendition of Elvis Presley’s Can’t Help Falling In Love certainly will.

FOUR WEDDINGS AND A FUNERAL, 1994

So it wasn’t the husband we approved of, but when Carrie (Andie MacDowell) gets married to Hamish (Corin Redgrave) in a Scottish Castle, she wears a cream silk dress that’s slit at the front, with a beaded bolero on top – a look that her true love Charles (Hugh Grant) helped her pick out in an improbable twist of heartache. For more wedding dress inspiration, we’ve got our eyes peeled for Mindy Kaling’s adaptation of the film out later this year – her new Four Weddings-inspired series for Hulu is led by Game of Thrones alumna Nathalie Emmanuel.

Andie MacDowell in Four Weddings and a Funeral, 1994
AF archive/Alamy Stock Photo
Kirsten Dunst and Jason Schwartzman in Marie Antoinette, 2006
© Sony Pictures/courtesy Everett Collection

MARIE ANTOINETTE, 2006

More is more is more. For a masterclass in decadent dressing, look no further than the wardrobe of Marie Antoinette (Kirsten Dunst) as imagined by Sofia Coppola for her 2006 film about the last Queen of France. The Queen’s bridal gown is a confection of cream and ivory, embellished with beads and bows, dreamed up in a bold silhouette that looks a lot like a multi-tiered wedding cake. It’s frothy and regal and rather fabulous. At 2007’s ceremony, Milena Canonero deservedly took home the Academy Award for Best Costume Design.

Sarah Jessica Parker in Sex and the City: The Movie, 2008
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SEX AND THE CITY: THE MOVIE, 2008

When all Carrie Bradshaw’s birthdays come at once and Vivienne Westwood gifts her a bridal gown, special arrangements must be made to accommodate its epic size. Sadly, the dress never actually makes it down the aisle, but it’s seared onto our brains anyway. Based on Westwood’s ‘Cloud’ dress introduced in her FW07 collection, and reworked for its film debut, the version Sarah Jessica Parker wore as Carrie featured a sculptural gold and ivory silk corset layer, a white taffeta skirt and was accessorized with that divisive bird headpiece.

Leonardo DiCaprio and Claire Danes in Romeo + Juliet, 1996
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ROMEO + JULIET, 1996

When Romeo (Leonardo DiCaprio) first glimpses his love Juliet (Claire Danes) at the Capulet Ball in Baz Luhrmann’s visually stunning adaptation of Shakespeare’s tragedy, she is wearing an angel costume complete with feathered wings. When the star-crossed lovers later marry, Juliet wears another simple white dress – a satin button-down with an A-line skirt, its bodice reminiscent of a waistcoat. Add that to Romeo in his navy Prada suit and pink floral tie, and you’ve got absolute wedding goals.

Shari Headley in Coming To America, 1988
© Paramount/courtesy Everett Collection

COMING TO AMERICA, 1988

And the bride wore pink. This candy-floss, fairy-tale dream of a wedding dress isn’t on screen long, but it’s everything we wished for when we were six years old. Aside from its pinkness, the dress has a slim bodice, gargantuan princess skirt (requiring meters upon meters of glittering tulle to create) and is topped off with a gold crown. Actress Shari Headley pulls off the look with appropriately regal poise as her character Lisa McDowell marries Eddie Murphy’s Prince Akeem (of the fictional African nation Zamunda) in this 30-year-old comedy.

Gwyneth Paltrow and Jeremy Northam in Emma, 1996
United Archives GmbH/Alamy Stock Photo

EMMA, 1996

Gwyneth Paltrow’s Emma finally tied the knot in a column dress with intricate and a meticulously worked lace veil. Framed by an arch of English garden flowers, this tenacious romantic matchmaker from Jane Austen’s beloved novel is perfectly suited to the simple regency gown. Hopefully we’ll be similarly swooning over the fashion in the film’s upcoming remake, penned by Man Booker Prize-winning writer Eleanor Catton, directed by photographer and music video super-talent Autumn de Wilde, and starring rising talent Anya Taylor-Joy as Emma.

FUNNY GIRL, 1968

Barbra Streisand gave a stunning turn as Fanny Brice in this rags-to-riches musical. The role put the singer on Hollywood’s radar in a big way – in 1969, she won the Academy Award for Best Actress for her performance (tying with Katharine Hepburn for The Lion in Winter). As for the wedding dress? She wears it to sing the film’s famous ‘bride number’, His Love Makes Me Beautiful. The dress’s long sleeves, scoop neck and generous veil are timelessly elegant, and the statement flower crown still looks modern.

Barbra Streisand in Funny Girl, 1968
Michael Ochs Archives/Getty Images
Katharine Ross and Dustin Hoffman in The Graduate, 1967
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THE GRADUATE, 1967

The tangled web of seductions at the heart of this film reach a dramatic crescendo when – spoiler alert – Dustin Hoffman’s character Benjamin Braddock disrupts the wedding of Mrs Robinson’s daughter Elaine (Katharine Ross). The pair make a run for it hand in hand, leaving Elaine’s intended at the altar and boarding a passing bus to take them far away from the church of brawling family and friends. Never mind all that though: Elaine is wearing a full-length, long-sleeved lace shift dress with a striking scalloped neckline that makes it almost impossible to focus on anything else.

Julia Roberts in Runaway Bride, 1999
AF archive/Alamy Stock Photo

RUNAWAY BRIDE, 1999

As nervous bride Maggie in this classic romantic comedy, Julia Roberts wears several dresses and leaves several men at the altar. So, the final wedding dress is the one that matters, because Maggie actually makes it down the aisle in it, to wed Ike (Richard Gere) in an off-the-shoulder ball gown with a sweetheart neckline and fitted bodice. It’s glamorous, yet also practical enough for horseback riding, as Maggie proves in the film’s final scene.

Kirsten Dunst in Melancholia, 2011
AF archive/Alamy Stock Photo

MELANCHOLIA, 2011

The enduring image from Lars von Trier’s eerie sci-fi film about the looming end of the world is one of Kirsten Dunst as Justine, lying in a lake wearing a wedding dress, her veil tangled in plants. It’s all a bit ominous, but the dress itself brings a lot more joy. The corset top and tiers of tulle hit all traditional wedding dress highs, and the shrug made of 3D flowers adds even more texture. Accessorize with classic pearl earrings and find a sprawling stately home to celebrate in.

FATHER OF THE BRIDE, 1950

This vintage romantic comedy sees Elizabeth Taylor in the role of the beautiful bride, being fussed over by her devoted but misguided dad, played by Spencer Tracy. Taylor’s real-life marriage to her first husband, Conrad ‘Nicky’ Hilton Jr., happened just a few weeks before the film’s premiere, and American costume designer Helen Rose created both Taylor’s on- and off-screen gowns. The dress in question is a picture of ’50s elegance, with a pleated satin scoop-neck finished with a lace collar, and a split waterfall skirt that reveals more luxurious lace.

Elizabeth Taylor in Father of the Bride, 1950
AF archive/Alamy Stock Photo
Keira Knightley and Chiwetel Ejiofor in Love Actually, 2003
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LOVE ACTUALLY, 2003

The sheer dress with feathery trim that Keira Knightley wears as Juliet for the opening scene of Love Actually is, actually, all sorts of excellent. And clever. As Juliet moves in the gauzy, long-sleeved dress, you get glimpses of her lacy, petal-detailed reception outfit beneath. We’ll ignore the part in the film where the groom’s friend produces the creepiest wedding video of all time, and focus instead on the tear-jerking-in-a-good-way bit where a flash mob performs a rousing edition of All You Need Is Love at the church.

GENTLEMEN PREFER BLONDES, 1953

This raucous film that gave us the iconic Diamonds Are A Girl’s Best Friend ends with a double wedding for Marilyn Monroe’s character Lorelei and her on-screen friend Dorothy (played by Jane Russell). They marry the characters Esmond and Malone respectively and the women wear coordinating wedding dresses with high-necked floral lace bodices and fluted sleeves complemented by full tulle skirts and neat headbands. Do as they did and pair with a bright red lip for all-out ’50s glamour.

Marilyn Monroe in Gentlemen Prefer Blondes, 1953
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Meryl Streep and Klaus Maria Brandauer in Out Of Africa, 1985
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OUT OF AFRICA, 1985

A wedding suit is a very fashion-forward choice, so trust Meryl Streep to have schooled us in the art some 30 years ago, playing aristocratic Danish author Karen Blixen. Recounting the 17 years that Blixen spent living in Kenya, the film features Streep wearing a simple belted suit with a dramatic collar and an intricate white silk embroidered hat in its wedding scenes – all very in keeping with the understated yet elegant style Streep’s character has become a perennial reference for.

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